E. Copeland, Money". In The Cambridge Companion to Jane Austen, pp.127-143, 2011.
URL : https://hal.archives-ouvertes.fr/hal-01274842

E. M. Forster, Aspects of the Novel, 1927.

P. Gay, Sense and Sensibility in a postfeminist world : sisterhood is still powerful, pp.90-110, 2003.

A. Higson, Re-Presenting the National Past : Nostalgia and Pastiche in the Heritage Film

T. Hock, Film endings, Last Things : Essays on Ends and Endings

, Aachen British and American studies, vol.19, pp.65-79, 2014.

A. Hudelet, Deciphering Appearances in Jane Austen's novels and films, pp.76-93, 2009.

C. L. Johnson,

, Jane Austen, Women, Politics and the Novel, 1988.

V. Jones, Feminisms, pp.282-291, 2011.

D. Kaplan, Mass Marketing Jane Austen : Men, Women and Courtship in Two Film Adaptations, pp.177-187, 1998.

A. Lee, . Sense, . Sensibility, . Perf, A. Emma-thompson et al., , 1995.

D. Lodge, Ambiguously ever After : Problematical Endings in English Fiction, Working with Structuralism. London : Routledge and Kegan, pp.143-155, 1981.

O. Murphy, Texts and Pretexts : Sense and Sensibility and Pride and Prejudice, pp.53-90, 2013.

C. L. Nixon, Balancing the Courtship Hero : Masculine Emotional Display in Film Adaptations of Austen's novels, pp.22-43, 1998.

J. North, Conservative Austen, Radical Austen : Sense and Sensibility from Text to Screen, Adaptations : From Text to Screen, Screen to Text, pp.38-50, 1999.

M. ;. Poovey and J. A. Chicago, The Proper Lady and the Woman Writer, Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, 1984.

T. Rymer, The Tragedies of the Last Age Consider'd. 1678. The Critical Works of Thomas Rymer, 1956.

K. Samuelian and . Flieger, Piracy is our only option' : Postfeminist intervention in Sense and Sensibility, pp.148-158, 1998.

K. Sutherland, Jane Austen on Screen, The Cambridge Companion to Jane Austen

E. Copeland and J. Mcmaster, , pp.215-231, 2011.

A. Justice, Endings and Epilogues in Sense and Sensibility Miranda, vol.13, 2016.